![]() What we get is a harrowing and intense experience in which you can practically feel the power of the ritual emanating through the images and Ray Harman’s sparse score. ” …most films dealing with the occult tend to focus on the attainment of power, but A Dark Song is all about Sophia’s quest for inner peace (and the ability to forgive) through gnosis. “A few stark, barren, beautiful landscape shots stress the claustrophobic confinement to what is actually a rambling old dark house, and Gavin has plainly paid a lot of attention to details of art direction inside the place – the black magic in the film might be high-class mumbo-jumbo, but it feels more real than the backwards Latin and robed chanting of most horror films on the subject.” The Kim Newman Web Site This is little room for humour, and Gavin keeps a tight pace and the dialogue reduced to its most economical and powerful.” Screen Anarchy Even the few outdoor scenes are bleak and grey. And not romantic dinner candlelight, but greasy fat yellow candles used against the curse of the night. And Anirudh's lively background score, especially in the climax, elevates a moment that is tonally different (let's say, it is more 'heroic') from the rest of the film.Īnd all along, the writing remains solid, giving us situations that might have felt implausible in a serious film, but work brilliantly because of the black comedy.“Liam Gavin then makes his film appropriately dark all indoor scenes look as if they were shot by candlelight. Even the one action set-piece in the film is peppered with comedy and inventiveness in staging. The director gives it an entirely wacky touch that even as you laugh, there is something emotionally affecting about it. Take the scene towards the climax when a character decides to apologise to everyone they have put in harm's way. The humour quotient does dip in the second half, but Nelson manages to inject a funny quip or two to keep the tone from getting too serious. Nelson doesn't let go of this darkly humorous tone even when things get serious (they have to, given the nature of the crime the film deals with). The scene in which she rejects him in the presence of both their families sets the tone for the rest of the film. Interestingly, Padmini is Varun's fiancé (ex-fiancé, as he corrects another character later in the film). We also get a couple of bumbling criminals, Sunil Reddy and Shiva, who do a fab job in the second half of the film, when Varun and the family of Padmini (Priyankaa Mohan, likeable) embark on a mission to Goa to save Chinnu (Zaara Vineet), the school-going daughter of her elder brother (the late Arun Alexander) and sister-in-law Sumathi (Archana, who is quite effective). Then, there is Deepa Shankar, who gets some of the film’s funniest lines, and is great with physical comedy. Nelson seems to realise that this shtick could quickly become tiresome, and uses him effectively by pitting him against Yogi Babu, who is also in terrific form. While most of them go subtle, he goes to the other extreme - loud and so over-the-top. His style is distinct among comedians who can deadpan. Among the bunch of comic performers, Redin Kingsly almost walks away with the film. Every other actor is funny in one way or the other.Īnd Sivakarthikeyan sportingly lets the other actors - especially comedians - take the limelight. ![]() In fact, only Sivakarthikeyan and Vinay, who charmingly plays the suave, ruthless villain Terry, who runs a kidnapping operation, get to play straight-faced characters among the film’s principal cast. ![]() Discounting his attempt at portraying a serious character in Kanaa, one could call this his first serious hero role. We wonder why he has to be absolutely expressionless and robotic, but as the story develops, you see how this very trait comes in handy for this character to do the things that he does. In the initial scenes, seeing the actor this way does seem jarring. This is certainly a different role for Sivakarthikeyan, who, unlike in other films, is made to be less expressive and less talkative. A superior questions why he has chosen to save the terrorist over an Indian soldier, and he coolly retorts that the latter's injury is fatal, so saving the terrorist would help in intelligence gathering. The first time we see this protagonist, Varun (Sivakarthikeyan), he is at the battle front treating an injured terrorist. In this sophomore effort, he once again gives us a protagonist who takes up crime for a good cause. Doctor Movie Synopsis: An army doctor helps his love interest's family to find their kidnapped daughter.ĭoctor Movie Review: In Nelson Dilipkumar's Kolamaavu Kokila, the protagonist took to crime to save her poor family.
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